Bach Bibliography Search Result

Series : ^BachPerspectives$
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Baron, Carol Kitzes	'Father Knew (and Filled Me Up with) Bach': Bach and Ives--Affinities in Lines and Spaces.	BachPerspectives	5		2003	151-177
	2.	Blanken, Christine	Recently Rediscovered Sources of Music of the Bach Family in the Breitkopf Archive.	BachPerspectives	11		2017	132-171
	3.	Brokaw, James A., II	The Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a?	BachPerspectives	1		1995	163-180
	4.	Broyles, Michael	Haupt's Boys: Lobbying for Bach in Nineteenth-Century Boston.	BachPerspectives	5		2003	37-55
	5.	Buch, Laura (ed.)	Bach Reworked.	BachPerspectives	13		2020	149p
	6.	Butler, Gregory G.	Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053).	BachPerspectives	7		2008	1-20
	7.	Butler, Gregory G.	Johann Gottlob Immanuel Breitkopf: The Formative Years.	BachPerspectives	2		1996	159-168
	8.	Butler, Gregory G. (ed.)	J. S. Bach's Concerted Ensemble Music, The Concerto.	BachPerspectives	7		2008	xi, 121p
	9.	Butler, Gregory G.	J. S. Bach's Concerted Ensemble Music, The Ouverture.	BachPerspectives	6		2007	xi, 163p
	10.	Butler, Gregory G.	The Choir Loft as Chamber: Concerted Movements by Bach from the Mid- to Late 1720s.	Bachperspectives	10		2016	76-86
	11.	Butler, Gregory G.	The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto.	BachPerspectives	4		1999	9-32
	12.	Butler, Lynn Edwards	Bach's Report on Johann Scheibe's Organ for St Paul's Church, Leipzig: A Reassessment.	Bachperspectives	10		2016	1-15
	13.	Butt, John	Bach Recordings since 1980: A Mirror of Historical Performance.	BachPerspectives	4		1999	181-198
	14.	Cammarota, Robert M.	The Magnificat Listings in the Early Breitkopf Nonthematic Catalogs.	BachPerspectives	2		1996	143-156
	15.	Chafe, Eric	Bach's Ascension Oratorio: God's Kingdoms and Their Representation.	BachPerspectives	8		2011	122-145
	16.	Chafe, Eric T.	'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41.	BachPerspectives	1		1995	103-134
	17.	Christensen, Thomas	Bach among the Theorists.	BachPerspectives	3		1998	23-46
	18.	Cortens, Evan	Voices and Invoices: The Hamburg Vocal Ensemble of C. P. E. Bach.	BachPerspectives	11		2017	113-131
	19.	Crist, Stephen A.	Bach as Modern Jazz.	BachPerspectives	13		2020	101-121
	20.	Crist, Stephen A. (ed.)	Bach in America.	BachPerspectives	5		2003	xiv, 227p
	21.	Crist, Stephen A.	The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215.	BachPerspectives	1		1995	135-161
	22.	Crist, Stephen A.	The Role and Meaning of the Bach Chorale in the Music of Dave Brubeck.	BachPerspectives	5		2003	179-215
	23.	Cron, Matthew	Music from Heaven: An Eighteenth-Century Context for Cantatas with Obbligato Organ.	Bachperspectives	10		2016	87-118
	24.	Cypess, Rebecca	Music Historicism: Sara Levy and the Jewish Enlightenment.	BachPerspectives	12		2018	129-151
	25.	Daub, Peggy	The Publications Process and Audience for C. P. E. Bach's 'Sonaten für Kenner und Liebhaber'.	BachPerspectives	2		1996	65-83
	26.	Dirksen, Pieter	J. S. Bach's Violin Concerto in G Minor.	BachPerspectives	7		2008	21-54
	27.	Dirst, Matthew (ed.)	Bach and the Organ.	Bachperspectives	10		2016	viii, 122p
	28.	Dirst, Matthew	Doing Missionary Work: Dwight's Journal of Music and the American Bach Awakening.	BachPerspectives	5		2003	15-35
	29.	Dreyfus, Laurence	The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion.	BachPerspectives	8		2011	96-121
	30.	Dunlop, Alison J.	The Famously Little-Known Gottlieb Muffat.	BachPerspectives	9		2013	77-119
	31.	Exner, Ellen	Certifying J. S. Bach's Interplanetary Funksmanship; or, What Bach Meant to Bernie Worrell.	BachPerspectives	13		2020	122-142
	32.	Finscher, Ludwig	Bach's Posthumous Role in Music History.	BachPerspectives	3		1998	1-21
	33.	Frisch, Walter	Bach, Brahms, and the Emergence of Musical Modernism.	BachPerspectives	3		1998	109-131
	34.	Glöckner, Andreas	Church Cantatas in the Breitkopf Catalogs.	BachPerspectives	2		1996	27-33
	35.	Greer, Mary J.	'The Public...Would Probably Prefer Something that Appeals Less to the Brain and More to the Senses': The Reception of Bach's Music in New York City, 1855-1900.	BachPerspectives	5		2003	57-114
	36.	Hill, Goerge R.	Identifying Breitkopf House Copies Produced by the Firm's Own Scribes: A Preliminary Survey.	BachPerspectives	2		1996	123-141
	37.	Hill, Moira Leanne	Repaying Debt with Interest: The Revision of Borrowed Movements in C. P. E. Bach's Passions.	BachPerspectives	13		2020	36-73
	38.	Hinton, Stephen	Hindemith, Bach, and the Melancholy of Obligation.	BachPerspectives	3		1998	133-150
	39.	Hirschmann, Wolfgang	'He Liked to Hear the Music of Others': Individuality and Variety in the Works of Bach and His German Contemporaries.	BachPerspectives	9		2013	1-23
	40.	Irwin, Joyce L.	Dancing in Bach's Time: Sin or Permissible Pleasure?	BachPerspectives	12		2018	17-35
	41.	Kinderman, William	Bachian Affinities in Beethoven.	BachPerspectives	3		1998	81-108
	42.	Knyt, Erinn E.	The Bach-Busoni Goldberg Variations.	BachPerspectives	13		2020	74-100
	43.	Kobayashi, Yoshitake	Breitkopf Attributions and Research on the Bach Family.	BachPerspectives	2		1996	53-63
	44.	Kobayashi, Yoshitake	On the Identification of Breitkopf's Manuscripts.	BachPerspectives	2		1996	107-121
	45.	Koster, John	The Harpsichord Culture in Bach's Environs.	BachPerspectives	4		1999	57-77
	46.	Landmann, Ortrun	Breitkopf's Music Trade as Reflected in the Holdings of the Sächsische Landesbibliothek.	BachPerspectives	2		1996	169-179
	47.	Leaver, Robin A.	A Catholic Hymnal for Use in Lutheran Leipzig: Catholisches Gesang-Buch (Leipzig, 1724).	BachPerspectives	12		2018	36-62
	48.	Leaver, Robin A. (ed.)	Bach and the Counterpoint of Religion.	BachPerspectives	12		2018	x, 157p
	49.	Leaver, Robin A.	Bach's Choral-Buch? The Significance of a Manuscript in the Sibley Library.	Bachperspectives	10		2016	16-38
	50.	Mann, Alfred	Introduction: Bach's Orchestral Music.	BachPerspectives	4		1999	3-8
	51.	Marissen, Michael	Concerto Styles and Signification in Bach's First Brandenburg Concerto.	BachPerspectives	1		1995	79-101
	52.	Marissen, Michael (ed.)	Creative Responses to Bach from Mozart to Hindemith.	BachPerspectives	3		1998	ix, 160p
	53.	Marshall, Robert L.	Bach and Mozart's Artistic Maturity.	BachPerspectives	3		1998	47-79
	54.	Marshall, Robert L.	Father and Sons: Confronting a Uniquely Daunting Paternal Legacy.	BachPerspectives	11		2017	1-23
	55.	Maul, Michael	Bach versus Scheibe: Hitherto Unknown Battlegrounds in a Famous Conflict.	BachPerspectives	9		2013	120-143
	56.	May, Ernest	Connections between Breitkopf and J. S. Bach.	BachPerspectives	2		1996	11-26
	57.	Melamed, Daniel R.	Johann Sebastian Bach and Barthold Heinrich Brockes.	BachPerspectives	8		2011	13-41
	58.	Melamed, Daniel R. (ed.)	J. S. Bach and the Oratorio Tradition.	BachPerspectives	8		2011	ix, 153p
	59.	Noll, Mark	Historical Proximity: John Wesley Visits Leipzig in 1738.	BachPerspectives	12		2018	1-16
	60.	Oleskiewicz, Mary (ed.)	J. S. Bach and His Sons.	BachPerspectives	11		2017	x, 191p
	61.	Oleskiewicz, Mary	Keyboards, Music Rooms, and the Bach Family at the Court of Frederick the Great.	BachPerspectives	11		2017	24-82
	62.	Oleskiewicz, Mary	The Trio in Bach's Musical Offering: A Salute to Frederick's Tastes and Quantz's Flutes?	BachPerspectives	4		1999	79-110
	63.	Owen, Barbara	Bach Comes to America.	BachPerspectives	5		2003	1-14
	64.	Rathey, Markus	Bach's Christmas Oratorio and the Mystical Theology of Bernard of Clairvaux.	BachPerspectives	12		2018	84-103
	65.	Rathey, Markus	Drama and Discourse: The Form and Function of Chorale Tropes in Bach's Oratorios.	BachPerspectives	8		2011	42-68
	66.	Renwick, William	39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296.	BachPerspectives	4		1999	137-158
	67.	Rifkin, Joshua	The 'B-Minor Flute Suite' Deconstructed. New Light on Bach's Ouverture BWV 1067.	BachPerspectives	6		2007	1-98
	68.	Schulenberg, David	Composition and Improvisation in the School of J. S. Bach.	BachPerspectives	1		1995	1-42
	69.	Schulenberg, David	C. P. E. Bach's Keyboard Music and the Question of Idiom.	BachPerspectives	11		2017	83-112
	70.	Schulenberg, David (ed)	The Music of J. S. Bach. Analysis and Interpretation.	BachPerspectives	4		1999	x, 208p
	71.	Schulenberg, David	The Sonate auf Concertenart: A Postmodern Invention?	BachPerspectives	7		2008	55-96
	72.	Schulenberg, David	Versions of Bach: Performing Practice in the Keyboard Works.	BachPerspectives	4		1999	111-135
	73.	Schulze, Hans-Joachim	'A Lineal Descendant of the Great Musician, John Sebastian Bach'? Bach Descendants in the United States and the Problem of Family Oral Tradition.	BachPerspectives	5		2003	115-122
	74.	Schulze, Hans-Joachim	J. S. Bach's Vocal Works in the Breitkopf Nonthematic Catalogs of 1761 to 1836.	BachPerspectives	2		1996	35-49
	75.	Snyder, Kerala J.	Oratorio on Five Afternoons: From the Lübeck Abendmusiken to Bach's Christmas Oratorio.	BachPerspectives	8		2011	69-95
	76.	Stauff, Derek	The Church under Persecution: Bach's Cantatas for the Fourth Sunday after Epiphany.	BachPerspectives	12		2018	104-128
	77.	Stauffer, George B. (ed.)	J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade.	BachPerspectives	2		1996	xv, 219p
	78.	Stauffer, George B.	Miscellaneous Organ Trios from Bach's Leipzig Workshop.	Bachperspectives	10		2016	39-59
	79.	Stauffer, George B.	The Breitkopf Family and Its Role in Eighteenth-Century Music Publishing.	BachPerspectives	2		1996	1-9
	80.	Stauffer, George B.	The Thomasschule and the Haus 'zum Goldenen Bären': A Bach-Breitkopf Architectural Connection.	BachPerspectives	2		1996	181-203
	81.	Stinson, Russell (ed.)	Bach Perspectives I.	BachPerspectives	1		1995	xii, 226p
	82.	Stinson, Russell	The Compositional History of Bach's Orgelbüchlein Reconsidered.	BachPerspectives	1		1995	43-78
	83.	Stockigt, Janice B.	Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited.	BachPerspectives	12		2018	63-83
	84.	Swack, Jeanne	A Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier.	BachPerspectives	6		2007	99-135
	85.	Swack, Jeanne	Modular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos.	BachPerspectives	4		1999	33-53
	86.	Talle, Andrew	Bach, Graupner, and the Rest of Their Contented Contemporaries.	BachPerspectives	9		2013	50-76
	87.	Talle, Andrew (ed.)	J. S. Bach and His German Contemporaries.	BachPerspectives	9		2013	viii, 151p
	88.	Walker, Paul	Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue.	BachPerspectives	4		1999	159-179
	89.	Wolff, Christoph	Descendants of Wilhelm Friedemann Bach in the United States.	BachPerspectives	5		2003	123-130
	90.	Wolff, Christoph	Did J. S. Bach Write Organ Concertos? Apropos the Prehistory of Cantata Movements with Obbligato Organ.	Bachperspectives	10		2016	60-75
	91.	Wolff, Christoph	Sicilianos and Organ Recitals: Observations on J. S. Bach's Concertos.	BachPerspectives	7		2008	97-114
	92.	Wolff, Christoph	Under the Spell of Opera? Bach's Oratorio Trilogy.	BachPerspectives	8		2011	1-12
	93.	Wollny, Peter	On Miscellaneous American Bach Sources.	BachPerspectives	5		2003	131-150
	94.	Zaslaw, Neal	The Breitkopf Firm's Relations with Leopold and Wolfgang Mozart.	BachPerspectives	2		1996	85-103
	95.	Zepf, Markus	Reworking Fischer: Some Observations about Johann Sebastian Bach and Johann Caspar Ferdinand Fischer.	BachPerspectives	13		2020	1-35
	96.	Zohn, Steven	Aesthetic Mediation and Tertiary Rhetoric.	BachPerspectives	9		2013	24-49
	97.	Zohn, Steven	Bach and the Concert en ouverture.	BachPerspectives	6		2007	137-156